The Warrior Ethos
WARS CHANGE, WARRIORS DON’T
We are all warriors. Each of us struggles every day to define and defend our sense of purpose and integrity, to justify our existence on the planet and to understand, if only within our own hearts, who we are and what we believe in.
Do we fight by a code? If so, what is it? What is the Warrior Ethos?
Where did it come from? What form does it take today? How do we (and how can we) use it and be true to it in our internal and external lives?
The Warrior Ethos is intended not only for men and women in uniform, but artists, entrepreneurs and other warriors in other walks of life. The book examines the evolution of the warrior code of honor and “mental toughness.”
It goes back to the ancient Spartans and Athenians, to Caesar’s Romans, Alexander’s Macedonians and the Persians of Cyrus the Great (not excluding the Garden of Eden and the primitive hunting band).
Sources include Herodotus, Thucydides, Plutarch, Xenophon, Vegetius, Arrian and Curtius–and on down to Gen. George Patton, Field Marshal Erwin Rommel, and Israeli Minister of Defense, Moshe Dayan.
About the Author: Steven Pressfield
Steven Pressfield is the author of The Legend of Bagger Vance, Gates of Fire, Tides of War, Last of the Amazons, Virtues of War, The Afghan Campaign, Killing Rommel, The Profession, The Lion’s Gate, The War of Art, Turning Pro, Do the Work, The Warrior Ethos, The Authentic Swing, An American Jew, Nobody Wants to Read Your Sh*t, and The Knowledge.
His debut novel, The Legend of Bagger Vance, was adapted for screen. A film of the same title was released in 2000, directed by Robert Redford and starring Matt Damon, Will Smith and Charlize Theron.
His father was in the Navy, and he was born in Port of Spain, Trinidad, in 1943. Since graduating from Duke University in 1965, he has been a U.S. Marine, an advertising copywriter, schoolteacher, tractor-trailer driver, bartender, oilfield roustabout, attendant in a mental hospital and screenwriter.
His struggles to earn a living as a writer (it took seventeen years to get the first paycheck) are detailed in The War of Art, Turning Pro, The Authentic Swing, Nobody Wants to Read Your Sh*t, and The Knowledge.
There’s a recurring character in his books, named Telamon, a mercenary of ancient days. Telamon doesn’t say much. He rarely gets hurt or wounded. And he never seems to age. His view of the profession of arms is a lot like Pressfield’s conception of art and the artist:
“It is one thing to study war, and another to live the warrior’s life.”
Quotes of Steven Pressfield:
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